i. AMERICAN MISSION IN LIVERPOOL AND LONDON. DR PAGE WITH DELEGATES WHO WILL TELL U.S. OF OUR WAR WORK. U.S. Ambassador W.H. Page and his group embark from ship in Liverpool. They talk with women work...
The film gives a vivid and lively picture of landscape, buildings, industry and everyday life in the small city of Sandefjord in the southern parts of Norway.
War drama about a woman hero, in love with a military engineer and coveted by his odious collaborationist "krauts" . She does not give in to the blackmail of a German who is lying to her about her fia...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Aan boord van een Duits oorlogsschip.
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"z.B. Otto Spalt" (1987)
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
Ilse Stobrawa, Gustl Stark-Gstettenbaur (v.l.n.r.)
Daniel Krauss, Götz Burger (v.l.n.r.)
Freigabebescheinigung
Timings for "Sündige Grenze".
Editing instructions for "Das verbotene Paradies".
Daily production report No. 20, 11 December 1961 on the shooting of "Das Geheimnis der schwarzen Koffer".
Brief von Max Ophüls
Screenplay (excerpt) of "Ein Mann muß nicht immer schön sein".
Notice regarding electricity allotment.