An early short film in which the young widow is protected by the employer of her recently deceased husband.
Newsreel item about the visit of the famous American comedian Harold Lloyd to Huis Doorn
Christmas film in which Mädi gets back her nanny, who had resigned because of her love for the father.
In this film, made to commemorate the centenary of the Dutch royal family, twenty scenes portraying highlights from Dutch history are shown, from the Eighty Years' War to King Willem I's return from e...
Images of an attack by the second guard regiment of the army of the German emperor Wilhelm on the ' parade field' .
Anti-war film: Five different men meet each other during the First World War in a hiding place between two fronts. They find each other in the shared viewpoint that war is senseless.
Shots of the Nordlandreise 1913, with a ship to Norway, of German emperor Wilhelm II at the 'Hohenzollern'.
Train ride through the narrow valley of the district of Visp in Switzerland.
Filmplakat
Irmin Schmidt in "Can and Me" (2022)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
"And-Ek Ghes..." (2015/16)
Michael Shannon, Veronica Ferres in "Salt and Fire" (2015/16)
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.