Newsreel about dailly life in the French trenches during the First World War.
A corporate film by the Maastrichtse Zinkwit Maatschappij (a zinc oxide manufacturer) in Eijsden.
Short reportage about the surrender of the second hussar regiment to crown prince Wilhelm in Gdańsk.
A short silent farce about the lazy Flip, who starts a new job as a plumber. He is immediately sent to a house where there is a gas leak.
Short anti-war film in which a French musician lets a man hide in his house, who turns out to be a German spy. When the soldiers are coming to get the musician, he is saved by the spy.
Compilation of three tourist films from Germany around 1915.
War drama in which three friends have to fight in the war. They don't come through unharmed.
The parents of a young man who is wrongly accused of theft eventually find their son on a ship, where he is working as a sailor.
"Love and 50 Megatons" (2019)
German movie poster of "Can and Me" (2022)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.