A recording of a studio rehearsal for Economy in a Straightjacket but Still Room for Movement.
A look at Cumbernauld whilst much of the area is still under construction.
Still images illustrate the history of artists in Kirkcudbright, especially E.A. Hornel and Jessie M. King.
Unedited footage. Images of the Carmo's ruins, in Lisbon. Still frames.
Interviews with members of the shipyard team who built the liner Queen Elizabeth 2; held before the launch, when the ship was still known as Q4.
Dunkirk is still partly under the ruins. The President of the Council Paul Ramadier came to visit a housing construction site, while the port starts its activities again.
The work of Charles Rennie Mackintosh, with detailed commentary. Footage is mainly of still images (including Glasgow School of Art, Hill House, Willow Tearoom).
General views of various stages of the construction of the Erskine Bridge in Renfrewshire, using a combination of live action and still photography.
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.