It has been nine years since the break-up of the marriage between Mike and Claudia. Yet while Claudia has moved on and now leads a picture-perfect life in the suburbs with her new partner Thomas and t...
Christmas, 1877: Austrian Empress Elisabeth, known as "Sisi," celebrates her 40th birthday. She is extremely popular with large sections of the population, having succeeded in reconciling her image of...
Luckless in job and love – in a nutshell, that′s the story of screenwriter Henry. His life is a row of joyless romantic flings and professional mishaps. But then, things suddenly seem to b...
Hello Again - A Wedding A Day The mid-twenties Zazie still feels much too young for a serious relationship. Nobody needs "great love" anyway in her opinion. Her two best friends and flatmates are simi...
It has been nine years since the break-up of the marriage between Mike and Claudia. Yet while Claudia has moved on and now leads a picture-perfect life in the suburbs with her new partner Thomas and t...
According to the PlanTragicomedy about three adult sisters who are confronted with several interpersonal problems and old family conflicts at their mother′s birthday: Anne returns to her home vi...
Athens, 1936. A German woman named Isavella, who is married to a Greek officer in the close circle around Dictator Metaxas and who is a member of a group of mysticists, falls in love with Alvertos. Th...
Soon after his mother’s death, Thanassis, a student at the National Technical University (Polytechnic) of Athens, moves to the house of his forty-five-year-old brother Petros, who, in his mind, is s...
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.