A procession of Chasseurs, led by priests and choirboys, makes a pilgrimage to a cemetery near the battle zone, where, as the civilian congregation watches, a monument is dedicated "To Our Dead".The s...
Men of XXXIV Corps on a German railway line through the Bois de Loges captured intact on 12th August along with a derailed goods train and a dump of shells, mainly 77mm calibre. German prisoners, some...
(Reel 1) Russian, or possibly Armenian, soldiers assisted by British troops to fire a 76.2mm Russian field gun. A wounded soldier on a stretcher is loaded into a lorry. A group of Armenian soldiers, o...
(Reel 1) The Kaiser gets into the state barge and is rowed across the Bosphorus (tinted orange). On the far side he gets out to greet various German officials (tinting ends). He tours Topkapi, the old...
(Reel 1) The troopship SS Barpeta brings a fresh contingent for the squadron into Karachi harbour. The men travel by train on to Ambala, where they get their first real view of India, including a hook...
I. 'BALKAN REFUGEES. Turk, Bulgar and Greek refugees seeking work, are examined and photographed before receiving their pass.' Two British soldiers manhandle dishevelled refugees into line. Each man h...
I. 'FORT OF TUZLA View of one of the fort's big guns with British signallers at work'. HA to rear of shielded coastal gun - a sentry guards the emplacement. MS to a sentry positioned in front of the p...
I. '"COOK HOUSE CALL: One of the most welcome bugle calls to our Tommies "The Cook House".' Issuing rations to the men occupying the trenches in Greece'. The rations seem to consist of fresh chickens,...
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.