I. 'INSPECTION OF SPECIAL CONSTABULARY. Inspection of the L Division of Metropolitan Special Constabulary by the Inspector General.' In a London park the Special Constables - some in civilian dress wi...
I. 'WOMEN FOR THE FRONT. Girls of the Womens Legion leaving London to take up their duties in France. They are as plucky as the men and march like soldiers.' MS as uniformed women leave building to fa...
I. 'Heroes of Mons. Soldiers who have done their bit for England receiving their discharge prior to their return to civil life.' War Department Daimler lorry pulls up and soldiers get out with their p...
I. 'XMAS PARCELS FOR TOMMY. The boys at the front are not forgotten during Yuletide, every endeavour is made to enable Tommy to receive his parcel without delay.' MS of Royal Engineer holding a chit, ...
The American Committee's health department brings the medical authorities' and parliamentary circles' attention to the state of children's public health in the disaster-stricken Aisne region. Seventee...
One night, after saying her boyfriend Ángel Montes goodbye, Adriana has to go to the chemist’s to buy some medicine to her mother. On the way she is assaulted by the Marquess ‘del Olmo’ and two...
The actress Francesca Bertini, as every diva worthy of her name, always arrives on the set extremely late. One day, in the studio, she happened to hear a colleague actor who, back from the front, tell...
The Tin DrumGdansk, 1924. For the Matzerath family, a new child is born. From the moment of his birth, little Oscar is a rather precocious and perceptive lad. Already as a little baby within the arms ...
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.