Regional Cattle Show in Wetzlar Documentation of the Wetzlar Festival. Floats with the seasons of rural life passing by, footage of the Wetzlar Cathedral Square and Kornmarkt. Other floats: Wittenberg...
The Tin DrumGdansk, 1924. For the Matzerath family, a new child is born. From the moment of his birth, little Oscar is a rather precocious and perceptive lad. Already as a little baby within the arms ...
Zoro is bright and full of ideas, especially when it comes to getting his hands on money without following the law. The 13-year-old fled Afghanistan with his mother and sister and has been living in L...
Resist! – Rebellion of the Interns Till′s life is not moving on as he had expected it to. For years now, he has completed internship after internship but a permanent position is still not ...
Five women in conflict with the traditional beauty ideals and gender roles of Western societies: Sonja, for example, feels unattractive after the birth of her second child and tries everything to look...
If there were an ideal-typical Marshall Plan film, "Village without Words) would come very close to it. Surprisingly, in Kurland's film the ideal takes the form of a hymn, a celebration of aid and rec...
A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about th...
Several years during and after the brotherly war against the monarchy-fascist Greek government, both Macedonian and Greek people were bleeding. 1949, after the defeat of the Democratic Army of Greece ...
"Still" (2012/13)
"Still" (2012/13)
"Still" (2012/13)
"Still" (2012/13)
Filmplakat
"Still Life" (2014)
Szene aus "Holding Still"
"Still Life" (2014)
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.