Regional Cattle Show in Wetzlar Documentation of the Wetzlar Festival. Floats with the seasons of rural life passing by, footage of the Wetzlar Cathedral Square and Kornmarkt. Other floats: Wittenberg...
The Tin DrumGdansk, 1924. For the Matzerath family, a new child is born. From the moment of his birth, little Oscar is a rather precocious and perceptive lad. Already as a little baby within the arms ...
Zoro is bright and full of ideas, especially when it comes to getting his hands on money without following the law. The 13-year-old fled Afghanistan with his mother and sister and has been living in L...
Resist! – Rebellion of the Interns Till′s life is not moving on as he had expected it to. For years now, he has completed internship after internship but a permanent position is still not ...
Five women in conflict with the traditional beauty ideals and gender roles of Western societies: Sonja, for example, feels unattractive after the birth of her second child and tries everything to look...
If there were an ideal-typical Marshall Plan film, "Village without Words) would come very close to it. Surprisingly, in Kurland's film the ideal takes the form of a hymn, a celebration of aid and rec...
A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about th...
Several years during and after the brotherly war against the monarchy-fascist Greek government, both Macedonian and Greek people were bleeding. 1949, after the defeat of the Democratic Army of Greece ...
"We are still here" (2014/15)
Martijn Lakemeier, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
Wim Opbrouck, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
"We are still here" (2014/15)
Hartmut Becker, Dominique Sanda
German movie poster of "We are still here" (2014/15)
Martijn Lakemeier in "Oben ist es still" (2012/13)
Jeroen Willems, Henri Garcin (from left to right) in "Oben ist es still" (2012/13)
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT TASOS PSARAS’ “MAY”: THE PLOT, CAST AND FACTORS OF PRODUCTION.
STILL ABOUT THE FILM “LES MYSTERES DE PARIS”: THE FACTORS OF THE PRODUCTION AND PHOTOS
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER" (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT ERRIKOS ANDREOU’S FILM “NIGHTMARE”: THE FACTORS OF PRODUCTION, ACTORS’ BIOGRAPHICAL NOTES, PLOT AND PHOTOS.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP). A FEW WORDS ABOUT THE FILM.