Regional Cattle Show in Wetzlar Documentation of the Wetzlar Festival. Floats with the seasons of rural life passing by, footage of the Wetzlar Cathedral Square and Kornmarkt. Other floats: Wittenberg...
The Tin DrumGdansk, 1924. For the Matzerath family, a new child is born. From the moment of his birth, little Oscar is a rather precocious and perceptive lad. Already as a little baby within the arms ...
Zoro is bright and full of ideas, especially when it comes to getting his hands on money without following the law. The 13-year-old fled Afghanistan with his mother and sister and has been living in L...
Resist! – Rebellion of the Interns Till′s life is not moving on as he had expected it to. For years now, he has completed internship after internship but a permanent position is still not ...
Five women in conflict with the traditional beauty ideals and gender roles of Western societies: Sonja, for example, feels unattractive after the birth of her second child and tries everything to look...
If there were an ideal-typical Marshall Plan film, "Village without Words) would come very close to it. Surprisingly, in Kurland's film the ideal takes the form of a hymn, a celebration of aid and rec...
A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about th...
Several years during and after the brotherly war against the monarchy-fascist Greek government, both Macedonian and Greek people were bleeding. 1949, after the defeat of the Democratic Army of Greece ...
Piet Clausen, Werner Hinz, Walter Bluhm, Heidi Becker (v.l.n.r..)
Helene Weigel (rechts)
Greta Bohacek (front) in "A Pure Place" (2019)
Szene aus "Jagdsaison"
"Elixir" (2013-15)
Szene aus "Living Buddha" (1987-94)
Szene aus "Die drei Räuber"
Filmplakat 02
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.