This is a compilation film consisting of three stories, rendered with a sense of humor, romanticism and tragedy, all of which are supposedly born of the kind of life that forces girls, like the heroin...
The "Deuxième Bataille Offensive de Verdun" opens with a bombardment. A 145mm naval gun firing under tarpaulin, showing its loading mechanism clearly. Other guns join in - a 155mm heavy howitzer, a 7...
The soldiers bring the full coaltrucks out to the surface of the mine. The coal is dumped from the trucks and horse-wagons are loaded from the dump. A traction engine runs a coal-crusher. A few soldie...
A rear view, from a sandbagged bunker, of a flame-projector nozzle angled upwards from a solid base. Pipes lead back to fuel cylinders in the bunker. These are operated by a civilian and an Army offic...
(Reel 1) The film opens by stating that as the basis for the expansion of the Army in wartime the TA "may be a factor in the maintenance of peace". Men of 4th Battalion, Northamptonshire Regiment, mar...
Chang's Army of Fengtien, with Russian assistance, advances down the coast of the Gulf of Chihli, the territory of the warlord Wu Pei-Fu of Peking. Most of the battle sequences are clearly reconstruct...
(Reel 1) The icebreaker SS Canada brings the cameraman and his colleagues into Archangel harbour in the middle of winter. The locals, in full furs, use sledges for transportation, some of them drawn b...
I. 'GERMAN SUBMARINE COMES TO LONDON. The German submarine-minelayer U.C.5 captured by the British Navy, moored off Temple Pier'. MS off the port quarter of UC.5 secured alongside the pier - old Londo...
STILL ABOUT NIKOS KOUNDOUROS’ “THE OGRE OF ATHENS": THE FACTORS OF PRODUCTION AND THE PLOT IN FRENCH AND ITALIAN. [photo of the inside].
STILL ABOUT LAKIS PAPASTATHIS’ “THEOFILOS”: THE PLOT AND BIOGRAPHICAL NOTES ABOUT THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION AND CAST AS WELL AS PHOTOS.
STILL ABOUT M. KAKOGIANNIS’ “TROJAN WOMEN” WITH A LOT OF PHOTOS FROM THE FILMING UNDER M. KAKOGIANNIS’ DIRECTION.
STILL ABOUT G. ZERVOULAKOS “NAKED IN THE SNOW”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the inside].
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the back cover].
STILL ABOUT IOANNIS LOUMOS’ FILM “STELLA VIOLANTI”, ΑΠ' GR. XENOPOULOS’ STAGE PLAY WITH THE SAME TITLE; PRODUCTION “HELLAS FILM”; THE FACTORS OF THE PRODUCTION, CAST, PLOT AND A LOT...
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “NARRATIVE DESCRIPTION OF A SUNDAY”: A SUMMARY OF THE FILM, THE CAST, FACTORS OF THE PRODUCTION AND PHOTOS. [photo of the front cover].