The action of the film takes place in June 1948. A group of Yugoslav students sent in USSR to be educated are coming back after the conflict between the two countries. Among the others who decide to r...
The adventures of a wheel in the land of Attica. The wheel is unexpectedly deorbited and meanders autonomously in diverse places.
1. OPENING TITLES
Shots of Athens, accompanied by comments on cit...
Clara, widow duchess of Santauro, has confined her daughter Margarita, of great beauty, in the Royal Boarding School, where she goes to take her out and to make her debut already. So that it does not...
The film is full of contrasts. Corinth’s great past, shown by its ruins, seems to be replaced by a much less picturesque standard of living caused by poverty. A shepherd with his sheep is juxtapose...
Over the images of a rough sea and outgoing fishing boats runs an intertitle: "This film could not have been made without the aid of the people and the government of the Netherlands who have worked to...
From 1943, Marseille is occupied by the Germans who destroy some neighborhoods and build fortifications. After the landings in June and August 1944, the Germans undermine the port and begin to destroy...
Chain of pictures and moving images about the origination of the annual Yser pilgrimage from 1920 to 1929.
It is not rare to hear in Naples that the time of the guappi, members of the Camorra, is over forever. But who were they? What was the Camorra? What was the reality of the Neapolitan criminal wo...
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.