The action of the film takes place in June 1948. A group of Yugoslav students sent in USSR to be educated are coming back after the conflict between the two countries. Among the others who decide to r...
The adventures of a wheel in the land of Attica. The wheel is unexpectedly deorbited and meanders autonomously in diverse places.
1. OPENING TITLES
Shots of Athens, accompanied by comments on cit...
Clara, widow duchess of Santauro, has confined her daughter Margarita, of great beauty, in the Royal Boarding School, where she goes to take her out and to make her debut already. So that it does not...
The film is full of contrasts. Corinth’s great past, shown by its ruins, seems to be replaced by a much less picturesque standard of living caused by poverty. A shepherd with his sheep is juxtapose...
Over the images of a rough sea and outgoing fishing boats runs an intertitle: "This film could not have been made without the aid of the people and the government of the Netherlands who have worked to...
From 1943, Marseille is occupied by the Germans who destroy some neighborhoods and build fortifications. After the landings in June and August 1944, the Germans undermine the port and begin to destroy...
Chain of pictures and moving images about the origination of the annual Yser pilgrimage from 1920 to 1929.
It is not rare to hear in Naples that the time of the guappi, members of the Camorra, is over forever. But who were they? What was the Camorra? What was the reality of the Neapolitan criminal wo...
"We are still here" (2014/15)
Filmplakat
"We are still here" (2014/15)
Henri Garcin, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
German movie poster of "Oben ist es still" (2012/13)
"We are still here" (2014/15)
"We are still here" (2014/15)
German movie poster of "The Innocent" ("... und der Himmel steht still", 1992/93)
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.