The captions stress that, although "not quite the Flanders variety" there is still a lot of mud in the battle for "our now almost wholly mechanised Army". In the rain small patrols of Cavalry and Infa...
A portrait still of Colonel T E Lawrence. The embarkation of supplies and sheep on SS Ozarda at Port Said, the journey to Jidda, and the disembarkation. Some irregular Bedouin horsemen of Prince Feisa...
The film may be out of time-sequence. It shows General Allenby talking to senior officers (none identifiable) in Cairo. This is followed by a procession of cars through the streets of the city. Allenb...
Naval officers wait on the ship's quarterdeck for the launch carrying the delegates to arrive. They come up the ladder and are greeted by the naval and liaison officers, wandering about aimlessly and ...
A cartographic problem that arose when the German-German border was to be erased. "The Border" provides an interesting explanation of an ancient German problem; which, although it has long since been ...
Nikolai II (1868-1918), the last Russian czar, son of Alexander III and Dagmar. He had been in Denmark on vacation with his parents several times. The royal houses usually met in September to celebrat...
Members of the Icelandic parliament visited Denmark in order to discuss the relationship between Iceland and Denmark. Iceland had in 1904 acquired home rule, but the wish for full independence was pro...
After the Second World War, trains are running again through Cologne's main station, but the war damage is still clearly visible. People enter the station via destroyed entrances at the old reception ...
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.