The captions stress that, although "not quite the Flanders variety" there is still a lot of mud in the battle for "our now almost wholly mechanised Army". In the rain small patrols of Cavalry and Infa...
A portrait still of Colonel T E Lawrence. The embarkation of supplies and sheep on SS Ozarda at Port Said, the journey to Jidda, and the disembarkation. Some irregular Bedouin horsemen of Prince Feisa...
The film may be out of time-sequence. It shows General Allenby talking to senior officers (none identifiable) in Cairo. This is followed by a procession of cars through the streets of the city. Allenb...
Naval officers wait on the ship's quarterdeck for the launch carrying the delegates to arrive. They come up the ladder and are greeted by the naval and liaison officers, wandering about aimlessly and ...
A cartographic problem that arose when the German-German border was to be erased. "The Border" provides an interesting explanation of an ancient German problem; which, although it has long since been ...
Nikolai II (1868-1918), the last Russian czar, son of Alexander III and Dagmar. He had been in Denmark on vacation with his parents several times. The royal houses usually met in September to celebrat...
Members of the Icelandic parliament visited Denmark in order to discuss the relationship between Iceland and Denmark. Iceland had in 1904 acquired home rule, but the wish for full independence was pro...
After the Second World War, trains are running again through Cologne's main station, but the war damage is still clearly visible. People enter the station via destroyed entrances at the old reception ...
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.