Irja von Bernstorff (second from the right), Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
Tante Tille bor på en lille gård på landet. Da hun en dag finder en forladt ræveunge, tager hun den med hjem og kalder den Mikkel. Tilles nabo, Orla Olsen, er jæger, og da han en dag finder en fo...
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Brief des bayerischen Innenministeriums an die Präsens-Film GmbH vom 09.06.1933. Betreff: Widerruf des Bildstreifens "Frauennot - Frauenglück". Ablehnung der Zurücknahme des Widerrufsantrags.
English screenplay (final version from 17 June 1964, excerpt) of "Genghis Khan".
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...