Life on Marywell Farm during the first years of the Taggart family's occupancy.
Cyclical year in the life of the Taggart family as they take up residence at Marywell Farm. Their first experiences of country life.
Amateur footage of the Erskine ferry and slipways after ceasing operation after the opening of the new Erskine Bridge.
Amateur footage of ciné club outings to Moffat and Biggar.
Behind the scenes footage of activities at the Scottish Association of Amateur Cinematographers' weekend at Crieff Hydro.
Amateur footage of women working in an office in Glasgow city centre, and general views at Faslane on Gare Loch, including the liner Aquitania.
Amateur footage of a home theatre performance of Cinderella.
Amateur footage of a Townswomen's Guild outing to Blackpool.
Szene aus "Losers and Winners"
Natasja Juul in "Near and Elsewhere" (2018)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
"Above and Below" (2012-14)
Brief der Filmoberprüfstelle Berlin an das bayerische Innenministerium vom 17.11.1930.
Brief des bayerischen Innenministeriums mit Antrag auf Widerruf der Zulassung des Bildstreifens "Frauennot - Frauenglück" an die Filmoberprüfstelle Berlin vom 06.12.1930.
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Italian screenplay (version from February 1968, excerpt) for "Kampf um Rom. 2. Teil: Der Verrat".