Amateur footage of a horse-riding display and a costume pageant at an equestrian centre.
Amateur footage of the 13th UNICA Congress held in Glasgow in 1951, with visits to Ayr and Crieff, and ciné club members filming.
Amateur film of activities based around Craigie Street Police Office, headquarters of the Southern Division in Glasgow, towards the end of the war.
Amateur footage of the main sights and buildings in the centre of Ayr, and shots of Alloway.
Amateur footage of a journey down the Clyde by steamer to Rothesay.
Amateur footage of delegates attending a National Union of Townswomen's Guilds conference in the Royal Albert Hall in London.
Amateur footage of a residential drama course at Inverclyde House, Largs.
Amateur footage of Townswomen's Guild events, including a coach trip to the Borders, music and theatrical productions and a fashion show.
23220 Chauny - Une rue (Département Aisne, Picardie)
23220 Chauny - A street (Aisne, Picardie)
23294 - Fort de la Pompelle - Reims
23294 - Fort de la Pompelle - Reims (aka Fort Herbillon) Marne
23088 - Artois - Cornqilles - German trenches Stereoscopic glass plate from a private collection in Alsace-Lorraine.
32989 - Argonne - Clermont in ruins Stereoscopic glass plate from a private collection in Alsace-Lorraine.
01078 - Rubescourt - Front line (Somme department, Picardie) Stereoscopic glass plate from a private collection in Alsace-Lorraine.
3219 - Chevreux 1917 - at the front line (Cheuvreux?)
23282 - Tahure - Attelage Boche
22032 - Douai en ruines
Daily production report No. 32, 17 November 1961 on the shooting of "Auf Wiedersehn".
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Daily call sheet for 02 July 1958 for the shooting of "Der Czardas-König (Die Emmerich-Kalman-Story)".
Daily call sheet for 06 August 1958 for the shooting of "Der Stern von Santa Clara".
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.