Uses of flying boats in the war, starting with a Felixstowe flying boat coming in to land at its base, probably Hamble, followed by a rare CE1 flying boat also landing. The main subject of the film is...
I. French language version of a newsreel of H S Cautley MP opening the municipal piggeries in London, June 1918. As a crowd watches, Cautley lights a fire under a bin in order to cook pigswill. He lad...
I. 'LONDON FLOWER FAIR. Lord Charles Beresford receives Royal party at British Ambulance Society's function in Trafalgar Square.' Admiral Lord Beresford in formal civilian dress talks with ex-Queen Am...
A glance into the everyday life of the Monarchy's prisoner of war camp in Esztergom, where primarily Russians were detained.
Gentlewomen collect donations from pedestrians in a collecting box. Children are given cake.
In 1898 the Hungarian Royal National Defense built a garrison hospital on Gyáli Street in Budapest. In 1914, due to the increase in the number of sick and wounded, a military hospital (1) for war cas...
The film was prepared during the second year of World War I, and shows the daily life of one of Budapest’s favorite walking areas, the Danube Boardwalk. Well-dressed elegant men and women are stroll...
Report on Leopoldville, former capital of Belgian Congo.
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Aubinger, Josef: „Die Kinematographie in Kriegszeiten.“ Der Kinematograph 398 (1914): 3-5. Artikel, der die mögliche Zukunft des Kinowesens im Krieg beschreibt. Die wirtschaftliche Lage der Kinos...
Presse-Stimmen über das Filmwerk Tirol in Waffen, Das Lichtbildtheater, 6.Jg., Nr.10, (1914).
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...