Une approche thématique, (surtout architecturale), de l'Exposition universelle de Bruxelles 1958. Le film commence par des images du Palais du Belvédère, dans l'enceinte de l'Exposition, résidence...
Promotional film about the FN car plant at Herstal.
Promotional documentary about the Belgium-Luxembourg steel industry.
News items showing the visit by princesse Josephine Charlotte to different Belgian cities in 1949
News items showing the visit by princesse Josephine Charlotte to different Belgian cities in 1949
Documentary on the necessity of safeguarding industrial archeological sites in Belgium.
Ethnographic film about meal-time rituals.
Documentary about the history of the Belgium-Congo route, made on the occasion of the thousandth flight.
Biographical film about Belgian politician Camille Huysmans.
Biographical film about Belgian politician Camille Huysmans.
Om forholdet mellem en far og hans søn, idet den ældre mand ikke er kommet sig over tabet af konen to år forinden. Senere bliver faderen fyret, og hans misantropi forstærkes.
En tidligere patolog, der nu ernærer sig som bedemand, laver forsøg med genoplivning af døde.
Glasgows populæreste diskjockey, kaldet Dicky Bird, bliver ved et tilfælde vidne til et opgør mellem to konkurrerende flødeisfirmaer, ejet af skotsk-italienske familier som nærmest benytter mafia...
Poul is a struggling magician looking for just the right trick to take him to the big time. To get the money to acquire 'The Sawed-in-Half Lady' from Frankfurt he makes a deal with Arne, a shifty insu...
O. Verf.. „Der Kinematograph im Dienste des Heeres.“ Der Kinematograph 401 (1914): 3-4. Artikel über die Möglichkeiten, Filmtechnik militärisch nutzbar zu machen. Der Film sei nicht nur zu Zwec...
Daily production report No. 8, 19 October 1961 on the shooting "Auf Wiedersehn".
Synopsis of "Liebe" (Working title: "Vor Rehen wird gewarnt").
Daily production report No. 26, 18 May 1956 on the shooting of "Der erste Frühlingstag".
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.