An exploration of St Peter's Seminary, Cardross on the Firth of Clyde.
Film sponsored by Esso following the Scottish Rally of 1976. The rally begins in Ayrshire and takes in the Highlands. Interviews with various drivers at the roadside and after each stage is completed...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
Lady er hund hos et pænt ungt par. Da familien bliver forøget med en baby, begynder problemerne. Værre bliver det, da det unge par rejser bort og indforskriver en gammel tante til at passe på baby...
Glasgow in the post-war years and the Corporation's futuristic plans for the city's development. [The film was made to tie in with an exhibition of the same title, held at the Kelvin Hall in Glasgow....
In a decayed Scottish fishing village, an outcast boy strikes up a friendship with a fisherman who believes himself to be Zorba.
Romantic adventure film in which Betty, who dreams about pirates, and her father, a gullible professor, are tricked by a bunch of real pirates. They are rescued by a young man who has a crush on Betty...
4312 - Verdun - Voie sacrée (Zone rouge, Département Meuse, Lorraine)
Attaque de Belloy-en-Santerre - 11 Juin 1918 (Département Somme, Picardie)
Mitrailleuse dans l'Aisne
Infanterie traversant l'Ailette pour attaquer (Département Aisne, Picardie)
Allemands se rendant á Vauxaillon (Département Aisne, Picardie)
22861 - Monceau de décombres
Église de Troyon (Département Meuse, Lorraine, Église Saint-Martin)
French screenplay (excerpt) of "Die Spaziergängerin von Sans Souci".
Internal correspondence on a new title of "Das verbotene Paradies".
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...