Film extracts and sequences illustrating the French cinema and denouncing the taxes for the film industry.
Il documentario illustra l'impiego dell'alluminio, definito "il metallo del secolo", nella costruzione di edifici ad uso abitativo, di alberghi, di impianti sportivi
1 - panoramiche su alcune cit...
In Maremma, the love story between two young peasants and the head of the family’s resistance to change are part of the background of a discourse on the need to modernize agricultural technology for...
Report on the "Fines" operation which consists in fining everyone who is caught red-handed 900 francs, whether they are pedestrians or motorists. A competition to find the best policeman and the best ...
During the grape harvest, two women trample the grape in Montmartre and pour the juice in the bottle. On its label, Truman and Stalin clink glasses.
The French government introduces a rental tax intended to finance the improvement and maintenance of housing.
Reopening of the Eiffel Tower to the public after the WWII and the German occupation.
Amatérský film zachycující hodiny fyziky na venkovské základní škole. Chlapci a dívky se zapojují do fyzikálních pokusů a počítají, ukázáno je také zkoušení a vysvědčení. Autor...
01078 - Rubescourt - Front line (Somme department, Picardie) Stereoscopic glass plate from a private collection in Alsace-Lorraine.
3219 - Chevreux 1917 - at the front line (Cheuvreux?)
23282 - Tahure - Attelage Boche
22032 - Douai en ruines
22942 - Nieuport - Zouaves (Nieuwpoort, Flandre-Occidentale)
22887 - Nieuport (Nieuwpoort, Flandre-Occidentale)
26580 - Vosges - Skieurs allemands
23125 - Argonne - Popote en la ligne
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch ...
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...