The documentary reconstructs World War I through the letters of fighting soldiers. Both the situations in Italy and in other warring nations are taken into consideration.
Until today one of the most mysterious figures in Italian cinema has been, without a doubt, Lucio D’Ambra. Recent finds of his works permit a more accurate outline of a personality capable of ...
An evening at winter’s end: in Veneto, in the countryside of Treviso (in Zero Branco) the farmers have prepared bonfires for the feast of bread and wine, a propitiatory rite for a good year. T...
Costruito quasi interamente con illustrazioni d'epoca commentate dalla voce fuori campo, il film mette in luce i contrasti fra Garibaldi da un lato e Cavour con i Savoia dall'altro. Dopo i primi...
Near the bridges of Valle di Maddaloni (near Caserta), a teacher reads an excerpt from G.C. Abba’s “Noterelle di uno dei Mille” to a group of children. The excerpt is about the battle of t...
Un classico del "diva film" con la coppia romantica Francesca Bertini e Gustavo Serena, basato su un romanzo parzialmente autobiografico di Alexandre Dumas figlio pubblicato nel 1866. Questa sto...
Half a century of history on the pages of the famous comic magazine “Il corriere dei piccoli”.
Parti frammentarie. Dopo i ritratti del principe ereditario Alessandro I di Jugoslavia (Alessandro Karađorđević) e del capo di stato maggiore dell'esercito serbo Petar Bojović, immagini dell...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...