An honour guard of Infantry marches into position beside the dock, past Roberts' ship, the SS Dunnottar Castle. Roberts, in Field Marshal's dress blue uniform, comes down the gangplank, followed by hi...
The film starts with a Belgian town in flames, and civilians lying dead in the streets. A terrified young mother with her baby is encountered by two drunken German soldiers, one carrying a smouldering...
Promotional film for Allied Hotels. We follow a coach tour round the Highlands and Western Isles of Scotland taking in Oban, Iona, Inverness, Aberdeen and Glencoe.
First in a series of monthly film reviews of Scotland. Film reconstructs a bank robbery, looks at the Borzoi dog, shoe manufacture at Saxone in Kilmarnock, latest hairdressing styles and the "first s...
Various scenes of Glasgow including Glasgow University, the Cathedral, Sauchiehall Street, Singer's factory, John Brown's shipyard and Hampden Park football stadium.
Life on Lewis in the Western Isles; herring fishing, cutting peat and crofting.
Steamers, paddles steamers and naval vessels on the river and some of the Clyde shipyards including John Brown's and Fairfields.
A children's Christmas Eve and Christmas morning. [An amateur prize-winning film of 1937].
a group of boys in front of the shop window of the wine-growing company M. Uher
Christian Pasquariello bei den Dreharbeiten zu "S.U.M.1" (2017)
Szene mit Elyas M'Barek (Mitte), Max Riemelt (rechts)
André M. Hennicke, Jannis Niewöhner (v.l.n.r.) in "Jonathan" (2015/16)
Jella Haase, Elyas M'Barek in "Fack Ju Göhte 2" (2014/15)
Arnel Taci, Elyas M`Barek, Pegah Ferydoni (v.l.n.r.)
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Prager Tagblatt, 203
Prager Tagblatt, 203
Filmwelt, 21/xx
(Der) Kinematograph, 117/xx
(Der) Kinematograph, 131/26