\nNikiforos Naneris leads a life without meaning in Giorgos Stampoulopoulos' film Open letter. To his right, Christos Zorba, in a scene from the film
Photo of "We only have one life" scene from the bank, where Kleonas (Dimitris Horn) worked as cashier, talking to his collegue.
Photo from "The Sky" with a soldier tie up his shoe during the fight of the Albanian front surrounderd by dead soldiers
A clown-like figure leads us into his odd world.
A position opens up at the Institute of Psychology. Manfred, a faculty psychologist, jumps at the career opportunity of a lifetime, spurred on by his girlfriend, Therese, who is also a co-worker. Then...
Søren Hauch Fausbøll is the Big Game Hunter in this comedy. He fears the cannibal in himself on a safari that very well could be his last one.
Mirush leaves Kosovo hoping to find his father in Norway, who abandoned the family when Mirush was very young. Now the father runs a restaurant in Oslo, but he is also in deep debt to the Albanian Maf...
A 5-year-old "Sunday driver" has gone off road, where he crashes his three-wheeler in the middle of the woods. A tale told in dream visions - suitable for children
Filmplakat
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Filmplakat von "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
L. B., Berliner Filmneuheiten, Der Kinematograph, 667, (1919), S. 25-27. "Kaiser Wilhelms Glück und Ende" sei noch am Vortag der Uraufführung vom Innenministerium verboten worden. Der Film stelle ei...
[Lustbarkeitssteuer für Kinos], Der Kinematograph, 424, (1915), S. 35. Bericht über Beratungen zur Lustbarkeitssteuerverordnung der Stadt Essen. Grund sei die hohe Zunahme der Zahl der Kinobesitzer ...
Hansen, Fritz. "Photographien als Reklamebilder für Kinotheater" Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 40-42. Hinweise auf das bestehende Urheberrecht in ...
Tagesbericht Nr. 19 (03.09.1964) über die Dreharbeiten zu "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Kostümauszug für "Das indische Grabmal", Rolle "Maharadscha Chandra", gespielt von Walter Reyer.
Tagesbericht Nr. 34 (16.02.1966) über die Dreharbeiten zu "Lange Beine - lange Finger".