An anthology of shots of the operators from International News, New York.
Short silent crime film about a man who is sent away by his wife. He joins a group of bandits who are aiming to make an express train derail. Coincidentally, his daughter finds herself in a goods wago...
Compilatiefilm met filmfragmenten uit 1910 tot 1930 over mode, kleding, beweging en pose.
Short comedy full of misunderstandings about a newlywed man who tries to pick up a woman who turns out to be his mother-in-law.
An early short film in which the young widow is protected by the employer of her recently deceased husband.
Newsreel item about the visit of the famous American comedian Harold Lloyd to Huis Doorn
Christmas film in which Mädi gets back her nanny, who had resigned because of her love for the father.
In this film, made to commemorate the centenary of the Dutch royal family, twenty scenes portraying highlights from Dutch history are shown, from the Eighty Years' War to King Willem I's return from e...
Sangay Rinchen, Irja von Bernstorff (beide vorne) in "The Farmer and I" (2013-16)
Sangay Rinchen (links) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Here and There"
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (links) in "The Farmer and I" (2013-16)
Filmplakat
"Love and 50 Megatons" (2019)
Tagesbericht Nr. 2 (24.06.1959) über die Dreharbeiten zu "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.