A romantic comedy in which two new neighbours initially cannot get along, but their staff get along just fine.
A romantic Western in which John saves his beloved Mary when she is about to marry a criminal.
A crowd swarms on Amsterdam's Dam Square in front of the horse tram. In the background, we see the outline of Central Station.
A drama in which a man buys a horse in order to get medicine for his wife, but is then arrested because he is riding a stolen horse.
A Western drama about two brothers who are in love with the same girl. When one of them wrongly thinks she has chosen for the other, he leaves for Mexico.
A Western in which two girls heroically unmask a criminal.
Melodrama about a stolen identity. The daughter of a man who has stolen the identity of the deceased Baron Van Walden marries to school teacher Ulbo Garvema, who turns out to be the son of the baron.
Reportage about the official visit of King Haakon of Norway to Rotterdam Unedited footage of the visit of Norwegian King Haakon to Rotterdam. The footage does not constitute a completed film.
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
"Love and 50 Megatons" (2019)
Ken Duken
"Above and Below" (2012-14)
Szene aus "Here and There"
Volker Michalowski (Mitte), Gael García Bernal (rechts) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Tagesbericht Nr. 2 (24.06.1959) über die Dreharbeiten zu "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.