War drama in which three friends have to fight in the war. They don't come through unharmed.
The parents of a young man who is wrongly accused of theft eventually find their son on a ship, where he is working as a sailor.
After his arrival in the Netherlands in December 1900, Kruger initially stayed in The Hague. On December 20, he traveled by train to Amsterdam, where he was met by a large crowd at the Central Station...
Advertising film for Deventerkoek van Bussink Comic advertising film in which veterans decide to start playing football again. The lunch seems to be falling to pieces, but fortunately Bob has some of ...
A romantic comedy in which a man takes boxing lessons to win over his beloved.
Reportage about a shop-window contest in Leeuwarden To mark the 25th anniversary of the VVV, a shop-window contest was organized in Leeuwarden. In a series of images, this reportage shows the various ...
A comedy in which a new waiter turns out to be very clumsy, which leads to all kinds of problems.
A melodrama about a boy who initially wants nothing to do with his stepmother.
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Filmplakat von "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
"The Farmer and I" (2013-16)
Szene aus "Noise and Resistance"
Hendrik Heutmann, Martina Schöne-Radunski in "Love and 50 Megatons" (2019)
Episode: Das Ritual
Tagesbericht Nr. 2 (24.06.1959) über die Dreharbeiten zu "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.