Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
Romantic adventure film in which Betty, who dreams about pirates, and her father, a gullible professor, are tricked by a bunch of real pirates. They are rescued by a young man who has a crush on Betty...
Mary is in love with a young farmer, who goes abroad to earn money. During his absence, Mary's family is assailed by disease and poverty. Since she has not heard from her beloved for a long time, she ...
I. An out-of-focus sequence of General Sir Edmund Allenby (?) reviewing a marchpast by British or Indian Cavalry of the Desert Mounted Corps, Palestine Front, 1918.II. Arab workers filling bottles and...
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
Australian troops practising bomb (hand grenade) throwing from slit trenches. The explosions are filmed at various angles and distances. The 'cup final' of 7th (Meerut) Division football championships...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
Olaf Fönss
Szene aus "Sperduti nel buio"
Szene mit Karen Sandberg (1.v.r.)
Szene mit Karen Sandberg (Mitte, unten)
Frederik Buch, Karen Sandberg
Rita Sacchetto, Olaf Fönss
Nicolai Johannsen, Rita Sacchetto
Szene mit Olaf Fönss
Trailer (Entwurf) für "Liebe", handschriftlich.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...
Dialogliste (Auszug) von "...und abends in die Scala".
Interne Korrespondenz zu "...und abends in die Scala", Vorschläge für eine geeignete Akrobatentruppe.
Walter Thielemann, Der Vaterländische Hilfsdienst und die Kinobranche, Der Kinematograph, 521/2 , (1916). Befürchtung, der Vaterländische Hilfsdienst könne die Kinobranche schwächen. Diese sei ab...
Tagesbericht Nr. 1 (02.05.1958) über die Dreharbeiten zu "Was eine Frau im Frühling träumt".