The main square of the city, soon after its liberation showing civilians milling about but no real celebrations. Some British troops, probably 57th (West Lancashire) Division, are present, eventually ...
The banks of the Neuville Canal, near Rheims, are lined with damaged houses. The glass factory at Neuvillette is reduced to rubble and a few walls. Old German dugouts and fortifications cover the area...
High-angle view onto detachment of Royal Marines drawn up on quayside - they march off, arms shouldered. Detachment passes camera, now situated in a park. Medium shot as Royal Naval Air Service person...
"U-boat's commander" (actually RN) takes bearings before submerging. Medium shot of periscope cutting the water as the U-boat approaches its "helpless victim". Merchantman sights U-boat (now surfaced)...
(Reel 1) The film starts with U-35 casting off at Cattaro (not Trieste as given) and passing the Austrian fleet at anchor. The crew of the captured SS Parkgate row to U-35 which the English captain bo...
I. Medium close-up of Pershing and Foch at Foch's HQ. Medium shot along a line of Sopwith 1F.1 Camels of No 4 Australian Flying Corps Squadron - aircraft taxi out of the line ready to take off.II. Hig...
Drifters take on provisions from depot vessel. Commander Lyne at work in his office. Drifters leave port - medium close-up of minesweeping drifter Drummer Boy, (GY.964). ML.18 approaches, and Commande...
Probably offcuts from IWM 61 WITH THE FORCES IN MESOPOTAMIA. (Reel 1) Camouflaged 60-pounder guns firing dug in. A gunner observing from a perch, possibly close to Ramadi. Indian troops unload sacks f...
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
American soldiers sent to France march with the American flags in the streets of Paris.
A soldier with cannon in a trench during the battle of Terron.
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...