The handful of Turks come in from the desert and walk past a British 4.5-inch howitzer. Camels and wagons carry other prisoners across a river. A large group of the prisoners is collected together.Nur...
The open carriage with the King and Queen leaves the Mansion House with a military escort. The King is in Army uniform. The coach drives to the steps of Saint Paul's Cathedral where an honour guard pr...
There is a large crowd with a number of policemen, milling about and uncertain. The captions say they are ignoring pacifist speeches, but this is not obvious.US Navy sailors enter one horse-drawn char...
A pan over the city from across the river, followed by close-ups of the cathedral showing shell damage. According to the caption the cathedral was "spitefully shelled" by the Germans after their "defe...
The Prince is met at Dover harbour by Prince Arthur of Connaught. The two men walk down the gangplank of Prince Yorihito's ship together and salute the flags of their nations. Next, a brief, indistinc...
The film starts with a scene meant to be of the mole at Zeebrugge in 1914 (in fact showing a British Caledon Class cruiser in 1917 or 1918 at another location). The mole after the British occupation o...
The captions state that the men were attacked and set adrift by a U-boat. A pan over a posed group of the men, now back on shore in a small harbour. Some of them board the small fishing boat N232, rid...
The film starts with a declaration that the war was forced upon Britain by "Germany's sinister designs". It shows John French reviewing troops (possibly as Viceroy in Ireland in 1918, but intended as ...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Behne, Adolf. „Kino und Geschichtsklitterung.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 15-17. A.B. beschreibt den historischen Film als Genre, das wie g...
"Hu-hu ! Wir schröcklich ! (mit'n „ö“)", Der Kinematograph, 490, (1916), S. 20(?). Entgegnung auf die Behauptungen des Abgeordneten Werner-Giessen, die Flut an Krimis in den Kinos schade der Mor...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.