Indian soldiers resting after a march. An Indian water-truck column refilling their trucks from a river using hosepipes and pumps. The construction of a sandbag observation tower, and British troops o...
British "Territorials" in winter clothes march along a road in Mesopotamia, followed by a unit of cyclists. Indian soldiers marching. A 1-pounder Vickers anti-aircraft gun on a rail flatcar at Kahm Ba...
A column of Ford light trucks carrying "supplies". (Compare with the same scene in IWM 68). Men of the Gurkha Rifles moving through an RFA park. Soldiers of 2nd Battalion, the Norfolk Regiment, wading...
Basra, showing 'The Strand', followed by people in the bazaar and by light canoes, 'ballams', on the river (both scenes probably acted). Genuine film of troops in barges being towed upriver by paddle ...
First, the seaplane carrier. A Short 184 seaplane is lifted from a seaplane carrier into the water and takes off. On return it is hoisted on board again. Then the launch from a capital ship. A Beardmo...
I. Sopwith 1-1/2 Strutter is flown off starboard echelon turret of an Indefatigable Class battle cruiser - an Invincible Class ship is visible in the background as the aircraft circles. After the laun...
(Reel 1) The troopship SS Barpeta brings a fresh contingent for the squadron into Karachi harbour. The men travel by train on to Ambala, where they get their first real view of India, including a hook...
(Reel 1) General Paraskevopoulos directs his country's forces in the River Struma valley, which includes the Rupel Pass, supported by fire from British 6-inch howitzers and French 155mm howitzers. The...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Dr. Weiser, Der Ernemann-Kinox im Felde, Der Kinematograph, 438, (1915), S. 21. Bericht über die Eröffnung eines Feldkinos. Beigefügt ist ein Bild des Kinos mit seinen Besuchern. Der Verfasser kün...
O. Verf.. "Das Kinoplakat." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Meldung über die zunehmende Hebung des Niveaus von Kinoplakaten. Statt auf grelle...
L. B., Berliner Filmneuheiten, Der Kinematograph, 686, (1920), S. 21-22. "Das Cabinet des Dr. Caligari" wird als bahnbrechendes Werk beschrieben, dass beweise, wozu die Filmkunst imstande sei. "Der Re...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 416, (1914), S. 19-20. Rezension der Kinoneuerscheinungen. Die Zahl der rezensierten Unterhaltungsfilme (in denen Soldaten zwar dargestellt we...
O. Verf.. „Das Programm in Kriegszeiten.“ Der Kinematograph 405 (1914): 8. Obwohl viele Kinos geschlossen hätten, würden die Besucherzahlen in den Kinos immer weiter zunehmen. Dies sei insbesond...
Rosenthal, Alfred. „Kinovorstellungen in Vereinen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 198-200. Ratgeber mit Vorschlägen, wie Filmvorführungen in ...
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...