I. Long shot as SS airship passes across sky background.II. Interior medium close-up of Italian officer at the periscope in submarine's control room (cf IWM 1155).III. Onboard low-angle medium shot of...
The film describes the achievements of "the Cavalry of the Clouds". It starts with an RAF squadron in France in 1918 (actually 84 Squadron at Bertangles) being briefed and taking off in their SE5as. T...
In Havana, Cuba, 6,000 factory hands thrown out of work by the effect of the war on trade protest outside the Congress. In Lisbon the Portuguese send troops, shown leaving by ship, to Angola (Portugue...
I. (Reel 1) Craters left by the Germans in order to hinder pursuit and the flooding from the Omignon River at Caulaincourt. The wrecked sugar factory at Jeancourt. A battalion of the Leicestershire Re...
I. (Reel 1) The Royal Naval Air Service at Felixstowe. First their marching band. Then aircrew running a Curtiss H.2 flying boat, possibly one of the first two purchased from the Curtiss company, out...
(Reel 9) A bombardment in progress. Mk I tanks move up. Fatigue parties (described as "doctors") move forwards. Prisoners are brought in and the captured area mopped up. The German Crown Prince's head...
(Reel 1) Men of Australian 1st Division marching to Pozières, 16 July, followed by a cyclist patrol and a motorised machine gun battery. Men of the New Zealand Division resting briefly in a village s...
Men of Australian 3rd Division, probably 4th Brigade, 13th (New South Wales) Battalion, inspecting from an observation tower the scale model of the battlefield laid out near Scherpenberg, about the si...
Paul Wegener in einer Doppelrolle in "Der Student von Prag" (1913)
Lyda Salmonova
Paul Wegener in einer Doppelrolle in "Der Student von Prag" (1913)
Paul Wegener in "Der Golem, wie er in die Welt kam" (1920)
Henny Porten, Eduard von Winterstein
Joseph Klein, Henny Porten
Paul Wegener in einer Doppelrolle in "Der Student von Prag" (1913)
Esimese postilennuki teele saatmine Helsingisse Lasnamäelt.
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...