The King and Queen, in an open landau, drive out of the gates of Buckingham Palace. Their escort is composed of mounted troops of all the Imperial forces: British, Indian and Australian horsemen leadi...
The men are in civilian clothes but march in formation and carry staves or other weapons. The captions say that these "misguided" men should be fighting for the British in the war for civilisation, an...
The King is escorted round the base by RAF officers. A groundcrew party hauls down a barrage balloon as he watches. Two other barrage balloons are seen floating side by side in the sky. The King leave...
At Rouen the King poses for a group photograph with Field Marshal Haig, Marshal Foch and General Pétain. At Third Army headquarters, Frohen-le-Grand, later in the day he decorates three men with the ...
The journalists watch a demonstration of trench fighting in the training trenches. They inspect the trenches. The men of the division march past, and their commander, Brigadier-General F S Meighan, ta...
Australia House is at the east end of the Strand. Australian soldiers march to the building. King George arrives in his carriage with Queen Mary. A view of the facade of the building with the King and...
(Reel 1) A poor quality scene showing a company of Burma Sappers building a trestle bridge over the River Diyala on 16 April. Punjabis (of 14th Indian Division ?) making chapatis, also on 16th April. ...
The Lord Mayor opens the "Bank", which consists of the shell of a Mark IV Tank turned into a bank to sell War Bonds (no good shot of the tank). Sir Eric Geddes, the First Lord of the Admiralty, queues...
Szene aus "Der Feind im Land"
Szene aus "Der Geiger von Meißen"
Szene aus "Der Schwur der Renate Rabenau"
Lyda Salmonova, Paul Wegener
Paul Wegener
Szene aus "Der Film von der Königin Luise. 2. Abteilung: Aus Preußens schwerer Zeit"
"Der Golem, wie er in die Welt kam" (1920)
Filmplakat
Walter Weise, Filmkunst und Publikum, Der Kinematograph, 683, (1920), S. 21-22. Die beiden rezensierten Filme seien ein absoluter Publikumserfolg und sogar in der Lage, eingefleischte Kinogegner zu ü...
Urteil in Sachen des Ferdinand Bonnschen "Kaiserfilms", Der Kinematograph, 684, (1920), S. 19. Meldung, dass im Prozess gegen Ferdinand Bonn das Urteil gefallen sei, alle Exemplare des Films "Kaiser W...
Hellwig, Albert. "Zur Reform der Filmzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 56-58. Gerichtsassessor A.H. erklärt das mögliche Zustandekommen e...
Thielemann, W.. "Kinematographie und biologische Forschung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 171-172. Bericht über den Einsatz von Filmkameras zur E...
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)