The celebrations involve an Italian contingent parade and marchpast, chiefly of the field guns, watched by the contingent's commander, General di Robillant. A posed group of General Peppino Garibaldi,...
I. Queenstown. Low-angle medium shot from small craft crossing bows of three US destroyers moored together in the harbour with a paddle minesweeper - two of the ships are USS Duncan (46) and USS Stere...
(Reel 1) Opening sequence of aerial shots showing a convoy and escort vessels. Cut to "The Making of the Men" - Nautical College, Pangbourne, HMS Worcester, HMS Medway, HMS Arethusa. Scenes showing ca...
(Reel 1) Their work on shore, preparing a mined anti-submarine net - wire splicing, making nets, fitting floats, detonators, etc. Work on the water - Lowestoft drifter loads netting and cable. Two typ...
(Reel 1) Searchlight battery at night - beams weave about and spotlight moored destroyers. Admirals Beatty and Rodman onboard HMS Queen Elizabeth. Scenes onboard HMS Canada - divine service (Glorious ...
Medium long shot silhouette off starboard bow of HMS Malaya steaming with guns trained over the beam - the cameraship changes its bearing during the sequence from starboard bow to dead ahead to port b...
The British fleet awaits its visitors - among the attendant ships are Colossus and Bellerophon Class battleships, HMS Neptune, and Warrior and Minotaur Class armoured cruisers. HMS Canada: "A link in ...
(Reel 1) Aerial view of Cranwell. Medium close-up of Commodore Luce; instruction of trainee ground crew and probationary flight officers; wireless school; gunnery practice with Maxim MG and Lewis on s...
Medium shot of nurses Tonička (actress: Truda Grosslichtová) and Mathilde (actress: Adina Mandlová) standing by a table in a room. Mathilde has a paletot over her shoulders and is staring fixedly s...
Medium close-up of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and the cadet Severa (actor: Stanislav Strnad), who is lying on a hospital bed.
Medium close-up of Nurse Tonička (Truda Grosslichtová) and Corporal Bartoněk (Jiří Vondrovič) standing in a corridor. They are smiling at one another and she is touching his bandaged hand.
Medium shot of an Austrian officer and Nurse Mathilde (actress: Adina Mandlová) looking at each other. The man is smoking a cigarette. Another soldier is visible behind them. In the left background i...
Several Austrian soldiers are moving about in front of a standing train. Several of the soldiers are carrying cargo. Other soldiers are looking out of the windows and open doors of the train.
Medium shot of Toman's wife Lída (actress: Marie Rosůlková), his son Vláďa (actor: Zdeněk Záhorský), and Dr, Šrámek (actor: František Smolík), who is shaking Vláďa's hand. Vláďa is wea...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and nurse Mathilde (actress: Adina Mandlová).
Medium close-up of Rjepkin (actor: Vladimír Borský) sleeping on a bed and First Lieutenant Liška (actor: František Kreuzmann) in pyjamas leaning over him.
Im Soldaten-Kino, Der Kinematograph, 469, (1915), S. 8-9. Bericht über ein Kino an der Front. Das Kino helfe den Soldaten, durch Unterhaltungsfilme, die sie im zivilen Leben als sehr abgeschmackt ang...
Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...
Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...