Celebration of the centenary of the Belgian Red Cross.
The musical legacy of Queen Elisabeth of Belgium: the genesis of the annual Queen Elisabeth Music Competition.
The musical legacy of Queen Elisabeth of Belgium: the genesis of the annual Queen E...
1 - 28 giugno 1914:
2 - nella piazza di una città dell'Austria delle bambine vestite di bianco si esibiscono in un saggio di danza per celebrare la chiusura dell'anno scolastico
3 - la ...
The film dedicated to Czechoslovak legionnaires in the First World War begins with symbolic shots illustrating the outbreak of the war conflict - title Sarajevo, animated map of Europe afire and a det...
I. 9.2-inch coastal gun is reloaded.II. Medium shot of HMS Walker (G.08) steaming at speed in a slight sea. Medium close-up of a sailor of HMS Woolston, playing with a kitten.III. Long shot views of s...
The 'big battle' structure of the film opens with the preparatory bombardment for the days before the attack, the Infantry marching to their final positions, the attack itself, the casualties, prisone...
The King and Queen arrive in Calais to start the visit. The King inspects war trophies at Bailleul with General Sir Herbert Plumer, then goes on to watch a tank demonstration and talk with a group of ...
A column of men from 1st Balloon Company, in the Meuse or Moselle region, march through a village. British "8-inch Naval rifles" (in fact 6-inch Mk VII guns) being fired by gunners of 27th (New York) ...
Paul Wegener, Pola Negri
Szene aus "Das Liebesbarometer"
Szene aus "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Szene mit Asta Nielsen
Screenshot aus "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (v.l.n.r.)
Szene aus "Der rote Baron"
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...