The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) Training the New Army - "cheery non-slackers" undergo PT, drill and bayonet practice, mounting and sabre drill for cavalry. (Reel 2) Manufacture of a 15-inch naval gun and firing trials. (Ree...
The wife of Lőrinc Gáthy (Mr. Wickfield in the Croatian version) dies in childbirth. A female relative offers to take care of the motherless child and the household, but Gáthy declines the offer be...
I. The build-up to war from the earliest days of film record, showing the various crowned heads of Europe.II. The Balkan wars of 1912, the development of Germany's Navy, and the inauguration of Presid...
(Reel 1) The training of a naval cadet - Pangbourne, HMS Worcester, HMS Medway. (Reel 2) Scenes from the building of a merchant vessel. Shots of a Standard Tanker being launched on the Clyde, female d...
Czechoslovak volunteers on a small station in Siberia.
Czechoslovak volunteers on a small station in Siberia. In the foreground is a Russian woman.
Assembly of participants out of chcurch.
Assembly of participants in the square.
Bishop Lev Skrbenský of Hříšť consecrates the St. Anthony´s Church on Strossmayer Square in Prague.
Participants of the ceremony in the square outside the church.
Exercise on horizontal bar in the courtyard of the cadet school in Vienna.
Wounded Austrian soldier accompanied by nurses and military doctors.
Notes on the censorship of all films depicting themes related with WWI.
Reproduction of a law act of 1917 establishing to prior censorship of films related with WWI.
Commentary on the film and its subject matter (the tribute to Unknown Soldiers lost in World War I).
Notes on 2 documentary films portraying the countrywide tributes to the Unknown Soldiers lost in World War I.
Rennert, Malwine. "Kleopatra, Herrin des Nils; Die letzten Tage von Byzanz." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 65-68. Rennert lobt „Kleopatra“ f...