The film forms a contrast to the number of canting pictures or the silence existing round the period of the first six months after a child has been born. It takes up some of the problems that three di...
So close to the source is the jumping dancing stream of colours that no forms or shapes can be captured. The thunder of creation is so loud, so strong, that the joy of movement foreshadow future possi...
A few lines about a few minutes' peace of mind, made visible: I am half in a dream / half awake / when I'm left all alone/ all at peace / then I know / more than I thought / I knew / about the deeper ...
Klara looks back on her 53 years long life in the woods of Siberia, the Taiga. She belongs to the Evenk people, who originally lived a nomad life in the Tiga as hunter-gathers. Today most Evenks live ...
14-year-old Jorgis is a gifted choir boy. The star voice of the Royal Chapel Choir. A few weeks before the choir's biggest concert, his vocal coach delivers a shocking note: Jorgis' voice is starting ...
Barney Richards is 37 years old. He lives with his mother in a provincial town. One night at the local discotheque he bumps into Gavin, an old aquaintance, who is doing well in the capital. Suddenly, ...
[Bologna 11 March 1978: the movement] Footage (taken from a window) of a demonstration by the Bologna students movement in remembrance of the events of March 1977. The procession moves along Via Zambo...
Het scenario van 'Dawn', gebaseerd op een toneelstuk van Reginald Berkeley, vertelt het waargebeurde verhaal van de heroïsche verzetsactiviteiten van de verpleegster Edith Cavell, die tijdens de Eers...
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Tagesdisposition (02.07.1958) für die Dreharbeiten zu "Der Czardas-König (Die Emmerich-Kalman-Story)".
Tagesdisposition (06.08.1958) für die Dreharbeiten zu "Der Stern von Santa Clara".
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
DIF