Louisette in Amsterdam is part of the film Van Boerin tot Ster.
Magde leaves her fiancé Lewis in order to take care of Lulu, the child of her deceased sister, in New York. After some time, chance brings the two lovers together again.
The performance of Teirlinck’s allegorical play “'De Torenbestormer'" (The Tower Stormer), performed by the Delft student association on the occasion of the anniversary celebrations.
A ship castaway causes problems.
A successful lawyer has to defend the brother he had had lost sight of years before.
Travelogue about the ship S.S.Patria to the Dutch East Indies, made as a commercial for the shipping company Rotterdamsche Lloyd.
A short, silent crime film in which a trader in Mexican goods has to bring a shipment of contraband to the Mexican rebels. But someone leaks this plan to the police.
A short, silent romantic drama about a count who goes to work in a New York restaurant because of his money problems. When his daughter, who knows nothing about the situation, comes to eat in the same...
Sangay Rinchen, Irja von Bernstorff (beide vorne) in "The Farmer and I" (2013-16)
Sangay Rinchen (links) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Here and There"
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (links) in "The Farmer and I" (2013-16)
Filmplakat
"Love and 50 Megatons" (2019)
Drehbuch (Auszug) von "Winnetou und Shatterhand im Tal der Toten".
Tagesdisposition (19.07.1968) für die Dreharbeiten zu "Winnetou und Shatterhand im Tal der Toten".
Tagesbericht Nr. 14 (07.08.1959) über die Dreharbeiten zu "Du bist wunderbar".
Brief des Landesverbands der katholischen Männervereine und Kasinos in Bayern e.V. an das bayerische Innenministerium, mit der Bitte die Vorführung von "Frauennot - Frauenglück" in jeder Form unmö...
Tagesdisposition (29.07.1968) für die Dreharbeiten zu "Winnetou und Shatterhand im Tal der Toten".
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...