Carnival parade in Av. da Liberdade, Lisbon. A car promotes the film ‘Gado Bravo’. Sport clubs: Clube Atlético de Campo de Ourique, Sport Lisboa e Benfica.
Unedited footage. Documentary about the monarchical incursions in Chaves. Reconstitution of the arrests of monarchical insurrectionists. Real images of the insurgents in prison.
Unedited images. Horse riding.
Incomplet. Ílhavo’s shipyard. Views of the christening and launching of the cod-fishing lugger ‘Brites’.
Landscapes of Caramulo.
Incomplet. The School of Cavalry and the field instruction: slope and entering the water in a horse exercises. As some slopes are almost vertical, fallings are inevitable.
Parade of the Festa dos Tabuleiros (“Festival of the Trays” – a Thanksgiving and Offering which is one of the most ancient cultural and religious manifestations in Portugal), in the city of Toma...
Landscapes and textile industry of Covilhã. Pasture areas, weaving and wheel factory, the wool's processing. Vegetables' market.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Commemoration of the 3rd anniversary of the periodical.
Notes on the difficulty experienced by the production company in registering images of the roaylist uprising in the North
Directory of films commissioned by the Tourism Office to Pathé aiming the diffusion of Portugal’s regions
News on the ordering of the films on the Portuguese regions to be exhibited in Lisbon.
A praise to the film ‘A Cidade de Thomar’ upon its reprise. Commentary on the film’s reception.
Notes on a Gaumont’s delegation visit to Portugal to film monuments, landscapes and typical places
On the staging and filming of a party on the allied armies in the WWI.
Interview with a General Inspectorate of Theatre official who traces a sorry state of affairs of Portuguese film.