The exhibition of livestock and dairy industries, signalling its progresses.
The airmen visit Oporto: the entourage walks through the city and attend a children's party at Crystal Palace. Gago Coutinho steers one of the “farman” seaplanes lent by Angel Beauvalet.
“A shot of a great bustle” (in "Jornal de Notícias" - 1 Nov 1896). Fragment.
Fragmento. One of the earliest films by Aurélio da Paz dos Reis, frequently refered to as the first Portuguese film director, shows two couples in traditional attire dancing.
The textile industry in Areosa, Oporto. Firemen exercises. A visit by the Indigenous Company of Mozambique (Landins of Mozambique).
Images of Figueira da Foz: streets, monuments (including a WWI Memorial), allegoric cars, procession, the beach and the vacationers, the Casino.
Images of the shearing of sheep in the autonomous region of Madeira.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.