Cyclical year in the life of the Taggart family as they take up residence at Marywell Farm. Their first experiences of country life.
Amateur footage of the Erskine ferry and slipways after ceasing operation after the opening of the new Erskine Bridge.
Amateur footage of ciné club outings to Moffat and Biggar.
Behind the scenes footage of activities at the Scottish Association of Amateur Cinematographers' weekend at Crieff Hydro.
Amateur footage of women working in an office in Glasgow city centre, and general views at Faslane on Gare Loch, including the liner Aquitania.
Amateur footage of a home theatre performance of Cinderella.
Amateur footage of a Townswomen's Guild outing to Blackpool.
Amateur footage of a family moving house, and family and friends posing for photographs in a garden.
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Maggie Peren, Ken Duken (v.l.n.r.)
Manufacture of components for Black and Decker tools. [Incomplete]
Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
A film tracing the introduction of movement as a factor in 20th century art. It records various ways in which artists have tackled this development such as Gabo, Calder and Soto.