One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Scenes of work and recreation for members and friends of the Babcock and Wilcox family. [See also refs. 15...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Featuring their Cyclone furnace for firing coal at work; the Renfrew staff association magazine going to pre...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The 1957 Industrial Fair and Exhibition in Sydney, Australia where Babcock and Wilcox Australion Co. had a ...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The film includes shots of Babcock and Wilcox boilers being installed in the Kodak factory, Essex. [See al...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd between 1954 and 1961, it includes a tea party for members of staff held at Turnberry Hotel where they also play golf for the inter-...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it features the Babcock and Wilcox tower crane involved in building the new sports stadium, Crystal Palace, ...
One of a series of twenty films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it looks at the Scottish Gas Board Works at Westfield and ferries using Babcock and Wilcox steam engines...
One of a series of 20 films made for Babcock and Wilcox between 1954 and 1961, it illustrates the firm's involvement with atomic power and their construction of a reactor pressure vessel at Hinkley Po...
French screenplay (excerpt) of "Die Spaziergängerin von Sans Souci".
Internal correspondence on a new title of "Das verbotene Paradies".
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...