In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
Der New Yorker Musiker Robert scheint so etwas wie eine Pechsträhne zu haben: Künstlerisch steckt er in einer Schaffenskrise und materiell sieht es so finster aus, dass er sogar aus seiner Wohnung g...
Lady er hund hos et pænt ungt par. Da familien bliver forøget med en baby, begynder problemerne. Værre bliver det, da det unge par rejser bort og indforskriver en gammel tante til at passe på baby...
The work of the Blood Transfusion Association in the Bathgate area, and an appeal to "become a regular donor".
Mr. Anestis, an old coachman, doesn’t want to change professions, even though cars now rule the road. He lives together with an orphan girl, Annoula, who was the beloved of a boy named Nikos, who ha...
Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
Romantic adventure film in which Betty, who dreams about pirates, and her father, a gullible professor, are tricked by a bunch of real pirates. They are rescued by a young man who has a crush on Betty...
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Filmplakat für die Berliner Aufführungen von "Nürnberg und seine Lehre", welche druch die sowjetische Blockade bis Mai 1949 verzögert wurden
German movie poster of "Messi and Maud" (2017)
"Above and Below" (2012-14)
Letter from CCC to Abdal-Asita, 04 November 1959 regarding the loan of snakes for the shooting of "Herrin der Welt".
French screenplay (excerpt) of "Die Spaziergängerin von Sans Souci".
Internal correspondence on a new title of "Das verbotene Paradies".
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...