I. An out-of-focus sequence of General Sir Edmund Allenby (?) reviewing a marchpast by British or Indian Cavalry of the Desert Mounted Corps, Palestine Front, 1918.II. Arab workers filling bottles and...
Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
The film shows a gathering in the city of Lillehammer in Norway by farmers from Gudbrandsdalen. We also visit several places in Gudbrandsdalen before returning to the farmers' association's gathering ...
Various news items about the First World War, compiled for home projection. Optimism and emphasis on international collaboration, remains preserved and the more gruesome or embarrassing war images wer...
Romantic film in which a couple who have been together for fifty years reminisce about the time they first met. Jack Stevens informs the couple Philippe and Maud Perkins, who are celebrating their f...
French language version of a newsreel item on British troops sitting and eating bread and jam "with proverbial coolness", Western Front, May 1918.
"King And President - The King of the Belgians and President Poincaré leaving Furnes after an inspection of the French Cavalry in the market square".
Newsreel item showing British soldiers eating bread and jam "with proverbial coolness," Western Front, May 1918.
Still from "Oma & Bella"
Fionn Whitehead in "Roads" (2018)
Clemens Schick in "Stille Reserven" (2015/16)
Samaher Alqadi
Filmplakat
Sheikh Rehman in "Original Copy - Verrückt nach Kino" (2014/15)
Narges Rashidi, Paul Faßnacht in "Von Glücklichen Schafen" (2013/14)
Benno Blume in "James Dean lernt kochen nach MÄNNERPROTOKOLLE von Christine Müller" (2013-15)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.
Russian melodrama about the heroic deeds of a woman during the First World War.