Unedited footage. At the Chrystal Palace, in Oporto, an automobiles exhibition. Panoramic view of the city. The car stands.
Panoramic shot over Santiago de Compostela. A crowd in the streets attends a procession followed by a parade of men with hats, women with veils, people with masks and music bands.
Unedited footage on the Presidential visit to Oporto on the occasion of the 31st January celebrations (1st attempt of a republican revolution)
Bei "Vor dem Damenbad" handelt es sich um ein Tonbild. Tonbild ist eine Bezeichnung für frühe Kinofilme mit Synchronton (aufgezeichnet und abgespielt im Nadeltonverfahren). In Deutschland begann die...
Efter den store brand i Bergen i Norge bortsprænges ruiner af nedbrændte huse. Det er voldsomme ødelæggelser, der har fundet sted.
Still from "Der Herzog von Reichstadt"
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 633, (1919), S. 49-50. "Die Lieblingsfrau des Maharadschas" wird als sentimentaler Kitsch abgetan. "Irrungen" handle vom Kampf...