I. (Reel 5) Impressionistic to the point of incoherence. Starting with troops disembarking at a harbour. Marching columns, some of them identified: the Devonshire Regiment, some Scots, the Bedfordshir...
The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President PoincarÃ...
The King, in Field Marshal's uniform and unaccompanied by other members of the Royal family, arrives at Calais on HMS Whirlwind on 5 August. Three days later he inspects British and US pilots of RAF 1...
(Reel 1) Near Bapaume a German "anti-tank gun" lies in an unidentifiable wreck with its crew dead beside it. Shells burst in the distance. Two 6-inch Mk VII guns are drawn by Holt tractors to new posi...
(Reel 1) Most of the scenes are of Indian troops of 15th Cavalry Brigade, 5th Cavalry Division. Also shown in the advance are the Nottinghamshire Battery, Royal Horse Artillery and 'A' Battery of the ...
I. The film is outspoken, "The evidence - both documentary and otherwise - is now ample to prove that Germany forced this great and terrible War upon humanity to secure for herself the domination of t...
I. The film is often disjointed, but covers the transfer of American manpower and matériel across the Atlantic, culminating in their first major engagement in the Battle of Château-Thierry in June 1...
(Reel 1) Albert Cathedral, mid-1916. The Canadian 6th Brigade, 2nd Division, led by Brigadier-General H D B Ketchen (past German prisoners) towards the battlefield, halts to rest at La Boisselle cross...
Alice Verden
Still with Lyda Salmonova
Szene aus "Westfront 1918"
Paul Wegener
Erich Ponto, Alice Verden
Szene aus "Der rote Baron"
Adolf Klein (on the left), Henny Porten, Theodor Loos, Olga Engl (sitting, from left to right)
Szene aus "Aus dem Buche des Lebens"
Notes on the censorship of all films depicting themes related with WWI.
Reproduction of a law act of 1917 establishing to prior censorship of films related with WWI.
Commentary on the film and its subject matter (the tribute to Unknown Soldiers lost in World War I).
Notes on 2 documentary films portraying the countrywide tributes to the Unknown Soldiers lost in World War I.
Rennert, Malwine. "Kleopatra, Herrin des Nils; Die letzten Tage von Byzanz." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 65-68. Rennert lobt „Kleopatra“ f...
Warstatt, Willi. "Das künstlerische Problem in der Photographie und in Der Kinematographie. II." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 32-34. Warstatt be...