I. (Reel 5) Impressionistic to the point of incoherence. Starting with troops disembarking at a harbour. Marching columns, some of them identified: the Devonshire Regiment, some Scots, the Bedfordshir...
The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President PoincarÃ...
The King, in Field Marshal's uniform and unaccompanied by other members of the Royal family, arrives at Calais on HMS Whirlwind on 5 August. Three days later he inspects British and US pilots of RAF 1...
(Reel 1) Near Bapaume a German "anti-tank gun" lies in an unidentifiable wreck with its crew dead beside it. Shells burst in the distance. Two 6-inch Mk VII guns are drawn by Holt tractors to new posi...
(Reel 1) Most of the scenes are of Indian troops of 15th Cavalry Brigade, 5th Cavalry Division. Also shown in the advance are the Nottinghamshire Battery, Royal Horse Artillery and 'A' Battery of the ...
I. The film is outspoken, "The evidence - both documentary and otherwise - is now ample to prove that Germany forced this great and terrible War upon humanity to secure for herself the domination of t...
I. The film is often disjointed, but covers the transfer of American manpower and matériel across the Atlantic, culminating in their first major engagement in the Battle of Château-Thierry in June 1...
(Reel 1) Albert Cathedral, mid-1916. The Canadian 6th Brigade, 2nd Division, led by Brigadier-General H D B Ketchen (past German prisoners) towards the battlefield, halts to rest at La Boisselle cross...
Still from "Der Herzog von Reichstadt"
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Notes on the films portraying Portugal’s participation in WWI.
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 13, 1919) -11 (May 29, 1919). - Prague: M. Fuchs, 1...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...