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Videot
(3074 Tulokset)

Italia brand
Documentary film
1953
Cineteca di Bologna

La voce fuori campo, con accento dialettale, è quella di un emigrato del sud Italia in America, che racconta come la prima cosa che all'estero si rimpiange della madrepatria sia l'olio. Si vede...

Yksityiskohdat
Panorama cinematografico 556
Newsreel
1976
Cineteca di Bologna

01 – Cinema (Roma, 16/11/1976) Sulle pagine di alcuni quotidiani, articoli che parlano della crisi che sta attraversando il cinema italiano. L'attrice Agostina Belli, sul set cinematografico, ...

Yksityiskohdat
Guerra '15-'18
Documentary film
1962
Cineteca di Bologna

Ricostruzione degli eventi principali della prima guerra mondiale, con particolare attenzione alle vicende italiane, un largo utilizzo di grafici, cartine, illustrazioni, fotografie, e il freque...

Yksityiskohdat
Macchiaioli a Livorno
Documentary film
1964
Cineteca di Bologna

Livorno was just a lively center of Macchiaioli art as Florence. Many artists painted in Livorno including Cristiano Banti, Giovanni Boldini and, on the most painted waterfront in Italy, Vincenz...

Yksityiskohdat
Grido di dolore, il
Documentary film
1961
Cineteca di Bologna

Il film, utilizzando materiali iconografici di repertorio, riprese sui luoghi reali e ricostruzioni narrative in assenza di personaggi, rievoca gli episodi più significativi della seconda guerr...

Yksityiskohdat
Ferita non chiusa. Ritratto di Giovanni Boine, la
Documentary film
1972
Cineteca di Bologna

The work and the life of the writer Giovanni Boine.

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Umberto Saba e gli umani animali
Documentary film
1966
Cineteca di Bologna

Some moments of Umberto Saba’s poetry.

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Papa Sarto
Documentary film
1955
Cineteca di Bologna

Si ricostruisce la vita di Giuseppe Melchiorre Sarto (1835-1914), nominato papa nel 1903, attraverso fotografie e immagini dei luoghi in cui visse. La prima parte è dedicata a Riese, in provinc...

Yksityiskohdat

Kuvat
(4430 Tulokset)

Poručík Alexander Rjepkin - picture 7
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 7

Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...

Yksityiskohdat
Poručík Alexander Rjepkin - picture 10
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 10

Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...

Yksityiskohdat
Poručík Alexander Rjepkin - picture 12
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 12

Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...

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Poručík Alexander Rjepkin - picture 13
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 13

Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...

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Poručík Alexander Rjepkin - picture 15
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 15

Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...

Yksityiskohdat
Poručík Alexander Rjepkin - picture 16
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 16

Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...

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Poručík Alexander Rjepkin - picture 17
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 17

Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...

Yksityiskohdat
Poručík Alexander Rjepkin - picture 18
Set photo
1937
Národní filmový archiv
Muu nimi/muut nimet:
- Poručík Alexander Rjepkin - picture 18

Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...

Yksityiskohdat

Tekstit
(661 Tulokset)

Filmprogramm von "Das Geheimnis der M-Strahlen"
Programme
1914
DFF – Deutsches Filminstitut & Filmmuseum
Yksityiskohdat
Filmprogramm von "Die Teufelsanbeter"
Programme
1920
DFF – Deutsches Filminstitut & Filmmuseum
Yksityiskohdat
Französische und englische Films!
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...

Yksityiskohdat
Kritik aus Leipziger Tageblatt (31.01.1915)
Review
31.0
DFF – Deutsches Filminstitut & Filmmuseum
Yksityiskohdat
Das Neue im Kino
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...

Yksityiskohdat
Aus der Praxis
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch ...

Yksityiskohdat
Kritik aus Casseler Tageblatt (19.10.1916)
Review
19.1
DFF – Deutsches Filminstitut & Filmmuseum
Yksityiskohdat
"Ueberhaupt und so...."
Article
1920
DFF – Deutsches Filminstitut & Filmmuseum

"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...

Yksityiskohdat