The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) Training the New Army - "cheery non-slackers" undergo PT, drill and bayonet practice, mounting and sabre drill for cavalry. (Reel 2) Manufacture of a 15-inch naval gun and firing trials. (Ree...
The wife of Lőrinc Gáthy (Mr. Wickfield in the Croatian version) dies in childbirth. A female relative offers to take care of the motherless child and the household, but Gáthy declines the offer be...
I. The build-up to war from the earliest days of film record, showing the various crowned heads of Europe.II. The Balkan wars of 1912, the development of Germany's Navy, and the inauguration of Presid...
(Reel 1) The training of a naval cadet - Pangbourne, HMS Worcester, HMS Medway. (Reel 2) Scenes from the building of a merchant vessel. Shots of a Standard Tanker being launched on the Clyde, female d...
Paul Hartmann, Adolf Klein (from left to right)
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Still with Uschi Elleot
Aubinger, Josef: „Die Kinematographie in Kriegszeiten.“ Der Kinematograph 398 (1914): 3-5. Artikel, der die mögliche Zukunft des Kinowesens im Krieg beschreibt. Die wirtschaftliche Lage der Kinos...
Presse-Stimmen über das Filmwerk Tirol in Waffen, Das Lichtbildtheater, 6.Jg., Nr.10, (1914).
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...